
John Ashbery was born in Rochester, New York, in 1927. He earned degrees from Harvard and Columbia, and went to France as a Fulbright Scholar in 1955, living there for much of the next decade. His many collections include Notes from the Air: Selected Later Poems (2007), which was awarded the International Griffn Poetry Prize. Self-Portrait in a Convex Mirror (1975) won the three major American prizes—the Pulitzer, the National Book Award, and the National Book Critics Circle Award—and an early book, Some Trees (1956), was selected by W. H. Auden for the Yale Younger Poets Series. The Library of America published the first volume of his collected poems in 2008. Active in various areas of the arts throughout his career, he has served as executive editor of Art News and as art critic for New York magazine and Newsweek. He is a member of the American Academy of Arts and Letters and the American Academy of Arts and Sciences, and he was a chancellor of the Academy of American Poets from 1988 to 1999. He has received two Guggenheim Fellowships and was a MacArthur Fellow from 1985 to 1990. His work has been translated into more than twenty-five languages. He lives in New York.
Purchase his books here.
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Alcove
Is it possible that spring could be
once more approaching? We forget each time
what a mindless business it is, porous like sleep,
adrift on the horizon, refusing to take sides, “mugwump
of the final hour,” lest an agenda—horrors!—be imputed to it,
and the whole point of its being spring collapse
like a hole dug in sand. It’s breathy, though,
you have to say that for it.
And should further seasons coagulate
into years, like spilled, dried paint, why,
who’s to say we weren’t provident? We indeed
looked out for others as though they mattered, and they,
catching the spirit, came home with us, spent the night
in an alcove from which their breathing could be heard clearly.
But it’s not over yet. Terrible incidents happen
daily. That’s how we get around obstacles.
Attabled with the Spinning Years
Does it mean one thing with work,
one with age, and so on?
Or are the two opposing doors
irrevocably closed? The song that started
in the middle, did that close down too?
Just because it says here I like tomatoes,
is that a reason to call off victory? Yet it says,
in such an understated way, that this is a small museum
of tints. I’m barely twenty-six, have been on Oprah
and such. The almost invisible blight
of the present bursts in on us. We walk
a little farther into the closeness we owned:
Surely that isn’t snow? The leaves are still on the trees,
but they look wild suddenly.
I get up. I guess I must be going.
Not by a long shot in America. Tell us, Princess A-line,
tell us if you must, why is everything territorial?
It’s OK, I don’t mind. I never did. In a hundred years,
when today’s modern buildings look inviting
again, like abstract bric-a-brac, we’ll look back
at how we were cheated, pull up our socks, zip
our pants, then smile for the camera, watch
the birdie as he watches us all day.
His thematically undistinguished narrative gives no
cause for complaints, does one no favors.
At night we crept back in, certain of acquittal
if not absolution, in God’s good time, whose scalpel redeems us
even as the blip in His narrative makes us whole again.
Boundary Issues
Here in life, they would understand.
How could it be otherwise? We had groped too,
unwise, till the margin began to give way,
at which point all was sullen, or lost, or both.
Now it was time, and there was nothing for it.
We had a good meal, I and my friend,
slurping from the milk pail, grabbing at newer vegetables.
Yet life was a desert. Come home, in good faith.
You can still decide to. But it wanted warmth.
Otherwise ruse and subtlety would become impossible
in the few years or hours left to us. “Yes, but ...”
The iconic beggars shuffled off too. I told you,
once a breach emerges it will become a chasm
before anyone’s had a chance to waver. A dispute
on the far side of town erupts into a war
in no time at all, and ends as abruptly. The tendency to heal
sweeps all before it, into the arroyo, the mineshaft,
into whatever pocket you were contemplating. And the truly lost
make up for it. It’s always us that has to pay.
I have a suggestion to make: draw the sting out
as probingly as you please. Plaster the windows over
with wood pulp against the noon gloom proposing its enigmas,
its elixirs. Banish truth-telling.
That’s the whole point, as I understand it.
Each new investigation rebuilds the urgency,
like a sand rampart. And further reflection undermines it,
causing its eventual collapse. We could see all that
from a distance, as on a curving abacus, in urgency mode
from day one, but by then dispatches hardly mattered.
It was camaraderie, or something like it, that did,
poring over us like we were papyri, hoping to find one
correct attitude sketched on the gaslit air, night’s friendly takeover.
El Dorado
We have a friend in common, the retired sophomore.
His concern: that I shall get it like that,
in the right and righter of a green bush
chomping on future considerations. In the ghostly
dreams of others it appears I am all right,
and even going on tomorrow there is much
to be said on all these matters, “issues,” like
“No rest for the weary.” (And yet—why not?)
Feeling under orders is a way of showing up,
but stepping on Earth—she’s not going to.
Ten shades of pleasing himself brings us to tomorrow
evening and will be back for more. I disagree
with you completely but couldn’t be prouder
and fonder of you. So drink up. Feel good for two.
I do it in a lot of places. Subfusc El Dorado
is only one that I know something about.
Others are recently lost cities
where we used to live—they keep the names
we knew, sometimes. I do it in a lot of places.
Brash brats offer laughing advice,
as though anything I cared about could be difficult
or complicated now. That’s the rub. Gusts of up
to forty-five miles an hour will be dropping in later
on tonight. No reason not to. So point at the luck
we know about. Living is a meatloaf sandwich.
I had a good time up there.
For Fuck’s Sake
But it emerged dully further on
the what had happened a minute
digression or mild variation
on what had passed judgment.
There were a few, or rather, few
things to do to get ready.
Tie the little parcel of me
I may undo so as to tie it.
That’s very nice.
Promise jokes. This is the cut hair,
the bloom that circles us.
If we enjoyed spring spells later
it was because the motoric finish
spalled. It isn’t too grand.
There are other bird sufferers
amid wading stalks the tide left
as though forgotten. They come back.
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